Kandinsky's work changed radically between 1910 and 1914. He moved from narrative scenes to a completely free and abstract visual language. This 'large study' is a highpoint in this development. It is a light hearted explosion of colours, lines and forms with no clearly recognisable subject. This expressiveness is typical of Kandinsky's early abstract works. In later years he worked with more geometric forms.
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|Material and technique||Oil on canvas|
Painting > Painting > Two-dimensional object > Art object
Height 101 cm
Width 79.3 cm
Thickness 2 cm
|Accession number||2677 (MK)|
|Credits||Aankoop / Purchase: 1964|
Mies van der Rohe. The MoMA Collages (2017)
London 1938: Defending 'Degenerate' German Art (2018)
Boijmans bij de Buren - Branding Rotterdam (2019)
Schönberg & Kandinsky. Tegendraads in kunst en muziek (2013)
Mies van der Rohe (2016)
Canvas > Worked fibres > Fibre > Vegetable material > Organic material > Material > Material and technique
|Geographical origin||Russia > Eastern Europe > Europe|
All about the artist
Moskou 1866 - Neuilly-sur-Seine 1944
Wassily Kandinsky was of Russian origin, but lived in Munich before the First World War, where he was a member of the artist group Der Blaue Reiter. He is...Bekijk het volledige profiel