This painting was acquired by the museum just two years after it was completed. This shows that Willink was recognised as an important artist very quickly. In comparison with his later illusionistic virtuosity, this painting is fairly crude. However, the alienating effect is very successful. Willink has depicted himself on the left, turning to face the viewer.
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|Title||Late Visitors to Pompeii|
|Material and technique||Oil on canvas|
Painting > Painting > Two-dimensional object > Art object
|Location||This object is in storage|
Width 142 cm
Height 92 cm
|Accession number||2005 (MK)|
|Credits||Schenking / Donation: Academiefonds 1933|
Schilderijen A.C. Willink (1939)
Het voorbeeld van de klassieken (1984)
Carel Willink (2000)
The Collection Enriched (2011)
De collectie als tijdmachine (2017)
In de schaduw van morgen. (2012)
Dal nulla al sogno (2018)
Canvas > Worked fibres > Fibre > Vegetable material > Organic material > Material > Material and technique
|Place of manufacture||Amsterdam > North Holland > The Netherlands > Western Europe > Europe|
|Geographical origin||The Netherlands > Western Europe > Europe|
Please note: The metadata of this object have not been checked.
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