Would you also like to experience more Boijmans or give a friendship as a gift? Join as a Friend and get invited for the annual Museumpark Vriendendag. Will we see you or your friend in the depot soon?
Donors, friends and guests with a privilege pass may book a single or multiple time slots here
Donors, friends and guests with a privilege pass may book a single or multiple time slots here
From the beginning of April, the fourth floor will be transformed into the dynamic workshop of the South African composer and artist Neo Muyanga. Join him in his voyage of discovery through the depot and witness the formation of his brand-new site-specific performance. The final presentations will take place on June 3 and 4 2023.
Neo Muyanga is a South-African composer, musician, artist and philosopher. The multidisciplinary artist is the first guest artist in the new multi-year programme Le Miroir Vivant. Every Saturday from 1 April 2023 between 14:00-17:00hr Muyanga can be found among the thousands of objects in Depot Boijmans Van Beuningen. For two months the composer will explore, research and rehearse with a group of vocalists and musicians from Rotterdam, concluding his residency with a closing performance in June 2023. The final performance be done four times at 12:00 and 15:00 on Saturday 3 and/or Sunday 4 June.
Muyanga’s work is a fusion of different styles including new opera, jazz improvisation and traditional songs in Zulu and Sotho. His compositions are based on communal stories about human nature and subjects like exclusion, exploitation and the African diaspora. Muyanga wants to make connections in his work instead of polarizing by placing the emphasis on exposing feelings of anxiety, fear of the unknown, security and safety. Because Muyanga works with people in his art and not so much with objects, fluidity is at its core. He delights in gaining inspiration from improvisation and unexpected twists and turns through input from others.
This first iteration of the Le Miroir Vivant programme is overseen by Francesco Stocchi, the curator of Modern and Contemporary Art, and Annemartine van Kesteren, the curator of Design.
After months of exploring, rehearsing and researching, Muyanga's residency will conclude with a final event in the form of a musical, site-specific live installation. The performance will be carried out four times.
Saturday June 3
12:00 — Performance 1
13:30 — In conversation: Neo Muyanga & Alicia Framis (English)
15:00 — Peformance 2
Sunday June 4
12:00 — Performance 3
13:30 — In conversation: Neo Muyanga & Alicia Framis (English)
15:00 — Peformance 4
Le Miroir Vivant, after René Magritte's painting of the same name 'The Living Mirror' (1929), is a new multi-year program at Depot Boijmans Van Beuningen. Until 2025, various international artists will be invited to give a completely personal interpretation of one of the gallery spaces. Le Miroir Vivant is made possible by Stichting Ammodo.
While in residence, each artist is challenged to blend different disciplines, genres and periods with their own domain into a new work that provides food for thought. Le Miroir Vivant offers interdisciplinary makers the opportunity to create a work that falls outside art-historical museum spheres as the works could be, for example, a live installation, an interactive performance, a sonic experience or a social sculpture.
Read moreDepot Boijmans Van Beuningen is the ideal place in which to follow a journey of development. The building symbolizes the layered work behind the scenes of an art museum. Muyanga’s piece of music develops a little further every week, and what you find always comes as a surprise.
On Saturdays between 14:00hr and 17:00hr you will be eyewitnesses to the animated rehearsals in which the Rotterdam choir will be practising under the direction of the conductor Amare Bilate. During the rest of the week you can explore the musical workstation where the sounds of the weekend will still resonate.
During one of his explorations through Museum Boijmans Van Beuningen's collection, Muyanga came across the art series anti_dog (2002) by Spanish artist Alicia Framis. This 'fashion line' consists of nine golden dresses based on designs by major fashion houses, such as Chanel, Dior and Jean Paul Gaultier. The dresses are made of twaron, a fabric that is dog-, bullet-, cut- and fire-resistant. The idea for anti_dog came about when Framis heard of dogs attacking women of colour in Berlin. Racist motives were behind it. Besides a fashion show at Palais de Tokyo (Paris), the collection was shown through manifestations in public spaces, such as at the Amsterdam ArenA in 2002.
Muyanga was immediately attracted to Framis' work. He recognised her stories from his native country, where aggressive dogs also attacked people of colour. The animals were trained by the police. On both Saturday 3 and Sunday 4 June, a conversation between Muyanga and Framis will take place at 1:30pm, as part of the conclusion of the first edition of Le Miroir Vivant. In addition, the anti_dog dresses will be shown and worn once during the closing weekend of Neo Muyanga's stay at Depot Boijmans Van Beuningen.
Neo Muyanga grew up in Soweto, in the southwest of Johannesburg. In the nineteen-seventies the township was the backdrop to violent student demonstrations and as a result became the cradle of South-African songs of protest. This is why his current research often focuses on protest songs and the history of musical storytelling in the South. Muyanga had already been exposed to music as a child, but it was only when he went to Trieste in Italy to study physics and philosophy that he discovered the madrigal. The centuries-old Italian form of music, with the transfer of a story with harmonized vocals at its heart, fascinated him and under the watchful eye of the renowned choral maestro Piero Poclen he learned the intricacies of the tradition.
In the mid-90s Muyanga returned to South Africa, where his multifaceted career in the performance arts got off to a flying start. In 1996 he co-founded the acoustic soul duo Blk Sonshine with Masauko Chipembere, which enjoyed wide acclaim after hits such as ‘Born In A Taxi’ and ‘Building’. Muyanga has collaborated with the Royal Shakespeare Company and the Handspring Puppet Company and has composed high-profile productions including the opera Heart of Redness (South Africa, 2015), the interactive installation A Maze in Grace (São Paulo, 2020-21) and the opera How Anansi Freed the Stories of the World (Amsterdam, 2021). Muyanga is also the joint founder and co-curator of the Pan African Space Station (2008), an online platform for experimental African music.
Recent work:
