Guardi had a particular eye for the poetic qualities of the city of Venice and allowed himself greater freedom with the topography than, for example, a similar painter such as Canaletto. His free brush strokes resulted in atmospheric 'vedute', Venetian cityscapes. This veduta, too was turned into an exceptional work by the subtly depicted atmosphere and the light, silver-grey tonality.
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|Title||The Entrance of the Canal Grande with the Santa Maria della Salute|
|Material and technique||Oil on canvas|
Painting > Painting > Two-dimensional object > Art object
|Location||This object is in storage|
Width 53 cm
Height 34 cm
|Accession number||3147 (OK)|
|Credits||Bruikleen / Loan: Rijksdienst voor het Cultureel Erfgoed 1985|
The Collection Enriched (2011)
Maestro van Wittel - Hollandse meester van het Italiaanse stadsgezicht (2019)
Canvas > Worked fibres > Fibre > Vegetable material > Organic material > Material > Material and technique
|Geographical origin||Italy > Southern Europe > Europe|
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All about the artist
Venetië 1712 - Venetië 1793
Francesco Guardi was a Venetian artist of 'vedute', large detailed cityscapes almost exclusively of Venice. On several occasions he worked with his brother...Bekijk het volledige profiel