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For the seventh edition Aleksandra Domanović (Novi Sad, Yugoslavia 1981) has made an installation that examines themes such as reproduction and representation and man and machine. In the Willem van der Vorm Gallery a cluster of semi-transparent foils printed with images that include skeletons with printers hangs from the ceiling. The images are computer-generated 3D models, printed as 2D renderings. In the images the perspective is reversed so that objects in the foreground appear smaller than those in the background. The various semi-transparent layers combine to create a three-dimensional image that changes constantly as one walks through the space.
In this installation Aleksandra Domanović combines different perspectives, times and spaces. Her work questions how two-dimensional images relate to reality and the role of reproduction techniques and digitisation in this relationship. The images of skeletons, a symbol of mortality, refer to a series of woodcuts on the ‘danse macabre’ theme by Hans Holbein the Younger, which in 1538 was reproduced in large numbers thanks to the new technology of book printing. The installation also examines the relationship between women and technological innovation. It includes multiple images of the ilium, the part of the pelvis that differs markedly between men and women.
Aleksandra Domanović studied design and architecture. Her artistic practice began with her involvement in the website vvork.com, which she maintained together with several other artists. The website was one of the first blogs to show works of art online in their own right rather than as documentation. From the subjective and personal to the objective and general, Domanović draws inspiration for her artworks from her personal life and from the disintegration of Yugoslavia and its consequences.
Each exhibition will be accompanied by a bilingual booklet with an essay by the curator:
Sensory Spaces is a series of commissioned solo projects presented in the Willem van der Vorm Gallery, located in the freely accessible exhibition space in the museum’s entrance hall. Artists are invited to respond to the architectural qualities of the space, emphasizing notions of transformation and surprise.
American artist Oscar Tuzaon has kicked off this new series. In this open space Tuazon has arranged several sculptural constructions. The artist fuses architectural and...
Read moreSabine Hornig (Germany, lives in Berlin) is known for making photographs, sculptures and installations that distort or intensify our experience of space and time. At first glance, her work can appear deceptively simple, but...
Read moreElad Lassry focuses on the workings of the photographic image, both on a two-dimensional plane and in three-dimensional space. ‘Pictures,’ says Lassry, ‘are so very like what we see, and so very unlike what we see.’ He strips...
Read moreMuseum Boijmans Van Beuningen asked Liu Wei (Beijing, 1972) to make a site-specific for the forth edition of Sensory Spaces. Liu Wei’s work deals with China’s rapid modernization and urban growth. Literally using the materials a city is made of, he takes...
Read moreThe fifth site-specific installation is made by Siobhán Hapaska. Siobhán Hapaska (Belfast, 1963) makes installations that speak to all the senses. She uses organic and synthetic materials and works on the border between...
Read moreFor the sixth edition of the series Sensory Spaces Sara VanDerBeek (Baltimore 1976) walked around Rotterdam for several days; she photographed what she saw and built an archive of images. From this experience, she has created a modular installation...
Read moreFor the seventh edition Aleksandra Domanović (Novi Sad, Yugoslavia 1981) has made an installation that examines themes such as reproduction and representation and man and machine. In the Willem van der Vorm Gallery a cluster of semi-transparent foils printed with images that include...
Read moreMuseum Boijmans Van Beuningen invited the British artist Mike Nelson (Loughborough 1967) to produce a work for Sensory Spaces 8. Nelson presented ‘Amnesiac Shrine’, an installation made up of a set of successive artworks that combine to form an...
Read moreBeni Bischof is the ultimate mix and matcher: in all his work he combines and adapts existing images, texts and situations. His work can be read as an ironic commentary on the banality of everyday life. And he doesn’t...
Read moreNicolai presented a site-specific adaptation of the works ‘Probestück 1, 2 and 3’. Following the Greek composer Iannis Xenakis’ (1922-2001) definition of architecture as ‘petrified music’, it investigates...
Read moreHefti's work is experimental, it untilizes chemical and technical processes with industrial equipment in order to discover new things. His work includes many aspects; nature and industry, abstraction and figuration. Hefti often works with engineers, scientists and even...
Read moreCruzvillegas builds his sculptures from found materials, a principle he calls ‘autoconstrucción’. His work is an expression of human reality...
Read moreFor the thirteenth edition of the Sensory Spaces series the British artist Anne Hardy will present a new site-specific FIELD work. Anne Hardy makes large-scale installations in which objects, light, color and sound seem to take on a life of their own. She invites ...
Read moreLatifa Echakhch presents a new installation for the fourteenth edition of Sensory Spaces in Museum Boijmans Van Beuningen. It is the first time this internationally-renowned artist – winner of the 2013 Marcel Duchamp...
Read moreSol Calero has created a colourful meeting place: a patio-like setting where visitors can relax or enter into conversation with each other. Calero is known for scrutinising cultural clichés, especially those...
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