Specifications
Title | Christ in the Wine Press (Title Plate) |
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Material and technique | Pen and brown ink, bluish-gray wash, heightened with white, indented for transfer, framing lines with the pen in brown ink |
Object type |
Drawing
> Two-dimensional object
> Art object
|
Location | This object is in storage |
Dimensions |
Height 116 mm Width 104 mm |
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Artists |
Draughtsman:
Karel van Mander
|
Accession number | MB 1716 (PK) |
Credits | Purchased 1871(?) |
Department | Drawings & Prints |
Acquisition date | 1871 |
Creation date | in 1596 |
Signature | none |
Watermark | indistinct fragment, possibly the lower part of a shield with something below (on P2 from the left; vV, 4P, fine; for a discussion of the paper, see under inv. no. MB 1721). [AE] [for image click thumbnail above the 'zoom in' option] |
Condition | brown foxing all-over, especially in the upper half |
Inscriptions | 'Esa 63’ and ‘Torcular calcavi so/lus et de gentibus non / est vir meum esa 63’ (top centre, resp. in a small and a large tablet), ‘INRI’ (in mirror image, centre left, in a small tablet), ‘Hebr 12 / Qui pro / posito si/bi gaudio / sustinuit / crucem’ and ‘Esa 53 / vere lan/guores nos/tros ipse / […] tulit / et dolores / nostros ipse / portavit’ (resp. lower left and right, on the front of the pedestals), all previous inscriptions are autograph, in pen and brown ink, ‘1’ (verso, bottom left corner, in pencil), ‘1’ (verso, bottom left corner, in pen and brown ink), ‘1026 / 12 St f Tetel [?] / Jolles’ (verso, centre, in pencil) |
Mark | Museum Boymans Rotterdam (L.288) |
Provenance | Jan Pietersz. Zomer (1641-1724), Amsterdam, cat. 1720-24, p. 14, Album NN, [Plomp 2001, p. 203]; Sybrand Feitama jr. (1694-1758), his sale, Amsterdam (De Bosch/De Winter) 16 October 1758 sqq., Album R, nos. 1-12 (‘Karel Vanmandere, 'De Passie, zeer fraaij geteekend met Indigo en zommigen met roet; in koper gebragt door J. D. Gheyn', fl. 19,- to Van Dyk); Cornelis Ploos van Amstel (1726-1798), Amsterdam; his (†) sale, Amsterdam (Van der Schley et al.), 3 March 1800, Album BBB, no. 12 ('Dertien stuks uitvoerige Teekeningen, zynde de Passie; met de pen, O. I. Inkt en roet, alles door Carel van Mander', fl. 32,10 to Jolles); J.A. Jolles, his sale, Amsterdam (De Vries et al.) 27 November 1848 sqq., Album P, no. 725 ('Dertien stuks uitvoerige Teekeningen, voorstellende de Passie; met de pen en indigo; zijnde door A. Matham in het koper gebragt', fl. 8.75 to Lamme?); Diederik Vis Blokhuysen († 1869), Rotterdam, his sale (†), Rotterdam (Lamme) 23-28 October 1871, no. 379 (‘K. van Mander. La passion. Treize dessins. Au bistre légèrement coloré’, to the museum) |
Exhibitions | Rotterdam 1996b; Rotterdam 2008 (coll 1); Paris/Rotterdam 2014, no. 57.1 |
Internal exhibitions |
Karel van Mander en het Haarlems maniërisme (1996) |
External exhibitions |
Bosch to Bloemaert. Early Netherlandish Drawings from the Museum Boijmans Van Beuningen (2014) |
Research |
Show research Netherlandish Drawings of the Fifteenth and Sixteenth Centuries |
Literature | cat. 1901, p. 47, no. 518; Valentiner 1930, p. 86, no. Z.3; Stampfle 1991, p. 14, under no. 21; Miedema 1995, p. 119, no. D6; New Hollstein 1999a, appendix 2, no. 7, and under no. 56; New Hollstein 2000a, part 1, p. 80, under no. 36 |
Material | |
Object | |
Technique |
Grey wash
> Washing
> Wash
> Drawing technique
> Technique
> Material and technique
Blue wash
> Washing
> Wash
> Drawing technique
> Technique
> Material and technique
Indenting
> Indented
> Drawing technique
> Technique
> Material and technique
Indenting
> Indented
> Drawing technique
> Technique
> Material and technique
|
Geographical origin | Northern Netherlands > The Netherlands > Western Europe > Europe |