In 1911 Hamershøi rented a villa, Spurvesjkul (sparrows’ refuge) outside Copenhagen, where he spent the summer with his wife. While they were there he painted this study, which he was to use for a self-portrait. The artist travelled widely in Europe as a young man; in the Netherlands he was profoundly impressed by seventeenth-century painters like Johannes Vermeer and Pieter de Hooch.
The Balcony Room at Spurveskjul
Vilhelm Hammershøi (in 1911)
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|Title||The Balcony Room at Spurveskjul|
|Material and technique||Oil on canvas|
Painting > Painting > Two-dimensional object > Art object
|Location||This object is in storage|
Height Error: 51,7 is not a valid BCD value cm
Width Error: 61,5 is not a valid BCD value cm
Depth Error: 3,5 is not a valid BCD value cm
|Accession number||3750 (MK)|
|Credits||Aankoop met steun van / Purchase with support of: Vereniging Rembrandt (mede dankzij haar Maljers-De Jongh Fonds), VriendenLoterij en een gift van een particulier uit Rotterdam 2014|
|Creation date||in 1911|
Hammershoi en Ilsted (2016)
De collectie als tijdmachine (2017)
Face-to-Face with Images (2017)
TEFAF 2017 (2017)
Vilhelm Hammershøi (2022)
Canvas > Worked fibres > Fibre > Vegetable material > Organic material > Material > Material and technique
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