The 17th-century Dutch rarely depicted their own history. Which makes Ter Borch’s ‘Peace of Münster’ of 1648 all the more remarkable. The artist was present at the peace negotiations, and also painted the portraits of some individual delegates. One was the Spaniard De Peñaranda, whose masterly likeness ended up in Museum Boijmans Van Beuningen. If it wasn’t so small it would be on permanent display.
Portrait of Don Caspar de Bracamonte y Guzman, count of Peñeranda
Specifications
| Title | Portrait of Don Caspar de Bracamonte y Guzman, count of Peñeranda |
|---|---|
| Material and technique | Oil on copper |
| Object type |
Painting
> Painting
> Two-dimensional object
> Art object
|
| Location | This object is in storage |
| Dimensions |
Height 12 cm Width Error: 9,5 is not a valid BCD value cm |
|---|---|
| Artists |
Painter:
Gerard ter Borch (II)
|
| Accession number | 2529 (OK) |
| Credits | Acquired with the collection of D.G. Van Beuningen, 1958 |
| Department | Old Masters |
| Acquisition date | 1958 |
| Creation date | in circa 1648 |
| Collector | Collector / D.G. van Beuningen |
| External exhibitions |
Velázquez, Rembrandt, Vermeer. Shared Ways of Seeing in Spain and Holland. (2019) |
| Material | |
| Object | |
| Geographical origin | Northern Netherlands > The Netherlands > Western Europe > Europe |
| Place of manufacture | Münster > Germany > Western Europe > Europe |
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