Study for a Deposition

Draughtsman: Matteo Rosselli (in circa 1600-1625)

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TMSFoto/PK/WM inv MB 1958-T 34 Drieberg vogel cirkel geheel.jpg

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Specifications

Title	Study for a Deposition
Material and technique	Red chalk
Object type	Drawing > Two-dimensional object > Art object
Location	This object is in storage

Dimensions	Height 185 mm Width 252 mm
Artists	Draughtsman: Matteo Rosselli : Andrea del Sarto (Andrea d’Agnolo)
Accession number	MB 1958/T 34 (PK)
Credits	Acquired with the collection of D.G. van Beuningen, 1958
Department	Drawings & Prints
Acquisition date	1958
Creation date	in circa 1600-1625
Watermark	bird on three mountains in a circle (40 x 40 mm, below left, centre, on P3 of 7P, vV)
Collector	Collector / D.G. van Beuningen
Mark	E. Wauters (L.911), D.G. van Beuningen (L.758) on removed backing sheet
Provenance	Emile Wauters (1846-1933, L.911), Paris; his sale, Amsterdam (Muller) 15-16.06.1926, lot 180, ill. (Andrea del Sarto #aan Van Beuningen); Franz W. Koenigs (1881-1941, L.1023a), Haarlem, acquired in 192# (#); D.G. van Beuningen (1877-1955), Rotterdam, acquired with the Van Beuningen Collection in 1958
Exhibitions	Rotterdam 1949, p. 27, no. 207, ill. (Andrea del Sarto); Rotterdam 2010 (coll 2 kw 7)
Internal exhibitions	De Collectie Twee - wissel VII, Prenten & Tekeningen (2010)
Research	Show research Italian Drawings 1400-1600
Literature	Rotterdam 1949, p. 27, no. 207, ill. (Andrea del Sarto); Agenda 1983, no. 11, ill.
Material	Red chalk > Chalk > Artist's material > Material > Material and technique
Object	Drawing > Two-dimensional object > Art object
Geographical origin	Italy > Southern Europe > Europe

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Entry catalogue Italian Drawings 1400-1600

Author: Esmé van der Krieke

This scene from the deposition of Christ is drawn on paper in rough, loose lines. Given the swift style it is likely that the drawing served as a study for another work, although no such related artwork has as yet been identified. The maker of the drawing is also difficult to pin down. Initially, the attribution of the sheet was in the name of the Florentine artist Andrea del Sarto (1486-1530), after which it was changed to Matteo Rosselli(1578-1650).^[1] Although Christ’s position with the head hanging forward and the knees drawn up corresponds more or less with a print by Parmigianino (1503-1540),^[2] Gert Jan van der Sman suggested an artist in the circle of Cavaliere d’Arpino (1568-1640) or Cherubino Alberti (1553-1615) in Rome.^[3] There are somewhat similar red chalk studies with strong outlines and rough hatching in New York and London.^[4] Our drawing however is of a poorer quality due to the somewhat clumsy way in which the faces of the figures and Christ’s hand are depicted. In the absence of a convincing attribution, we classify the sheet for the time being as made in an Italian workshop around 1600.

Footnotes

^[1] Rotterdam 1949, p. 27, no. 207 (Andrea del Sarto); Albert Elen entered the attribution to Matteo Rosselli in the museum’s database.

^[2] London, British Museum, inv. Nn,7.27.1; the comparison with the print was done by Klazina Botke.

^[3] Put forward at the first Boijmans-Getty expert meeting, 10-11 October 2019.

^[4] Metropolitan Museum of Art, inv. 90.20.4; British Museum, inv. Pp,4.91.

Show research Italian Drawings 1400-1600

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