:host { --enviso-primary-color: #FF8A21; --enviso-secondary-color: #FF8A21; font-family: 'boijmans-font', Arial, Helvetica,sans-serif; } .enviso-basket-button-wrapper { position: relative; top: 5px; } .enviso-btn { font-size: 22px; } .enviso-basket-button-items-amount { font-size: 12px; line-height: 1; background: #F18700; color: white; border-radius: 50%; width: 24px; height: 24px; min-width: 0; display: flex; align-items: center; justify-content: center; text-align: center; font-weight: bold; padding: 0; top: -13px; right: -12px; } Previous Next Facebook Instagram Twitter Pinterest Tiktok Linkedin Back to top
Studies of a Rower

Ask anything

Loading...

Thank you. Your question has been submitted.

Unfortunately something has gone wrong while sending your question. Please try again.

Request high-res image

More information

This is an early study sheet by Cézanne, dating from the time he was working at the Académie Suisse in Paris. He drew from life, recording the middle figure twice more without the head in order to study the position of the shoulders relative to the upper body in more detail.

Read more Read less

Collection book

Collection book Order

Specifications

Title Studies of a Rower
Material and technique Black chalk
Object type
Drawing > Two-dimensional object > Art object
Location This object is in storage
Dimensions Height 228 mm
Width 300 mm
Artists Draughtsman: Paul Cézanne
Accession number F II 25 recto (PK)
Credits Loan Stichting Museum Boijmans Van Beuningen (former Koenigs collection), 1940
Department Drawings & Prints
Acquisition date 1940
Creation date in circa 1867-1869
Collector Collector / Franz Koenigs
Internal exhibitions Impressionisme: Een schone kijk (1992)
De Collectie Twee - wissel IV, Prenten & Tekeningen (2009)
Selectie Impressionisten van Manet tot Cézanne (2017)
External exhibitions Cézanne: The Drawings (2021)
Material
Object
Geographical origin France > Western Europe > Europe

All about the artist

Paul Cézanne

Aix-en-Provence 1839 - Aix-en-Provence 1906

Paul Cézanne studied in Paris at the Academy Suisse. He was refused admission to the art academy and the Salon did not want to exhibit his works. In 1882,...

Bekijk het volledige profiel