Until 1984 Donald Judd limited his palette to the industrial colours of the materials he worked with. After he encountered the technique of enamelled aluminium in Switzerland, he made a series of coloured works like this. He sought combinations in the colours that were neither harmonious nor disharmonious. He looked for the multiple manifestations of the colour, without seeking to construct an aesthetic effect.
Specifications
| Title | Untitled |
|---|---|
| Material and technique | Aluminium and fired pigment |
| Object type |
Sculpture
> Three-dimensional object
> Art object
|
| Location | This object is in storage |
| Dimensions |
Height 150 cm Length 900 cm Width 165 cm |
|---|---|
| Artists |
Artist:
Donald Judd
|
| Accession number | BEK 1632 a-z (MK) |
| Credits | Purchased with the support of Rembrandt Association, 1987 |
| Department | Modern Art |
| Acquisition date | 1987 |
| Creation date | in 1984 |
| Entitled parties | Art ©Judd Foundation. Licensed by VAGA, NY/ Pictoright Amsterdam 2018 |
| Internal exhibitions |
De collectie als tijdmachine (2017) Lievelingen XL (2024) |
| External exhibitions |
Museum Boijmans Van Beuningen @ Rijksmuseum (2023) |
| Research |
Show research Digitising Contemporary Art |
| Material | |
| Object | |
| Geographical origin | The United States of America > North America > America |
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All about the artist
Donald Judd
Excelsior Springs 1928 - New York 1994
Around 1960, Judd, who has been trained as an artist and art historian, began experimenting with three-dimensional shapes. For his sculptures he mainly used...
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