The very freely painted sketch, with 'All Saints' as its subject, was later developed by Rubens in a drawing. This drawing acted as a model for an engraving made by Theodoor Galle. The drawing and the mirrored print are, on the whole, very similar to the sketch. This similarity allows the figures on the Rubens oil sketch to be identified., The figure seen from behind with the gridiron in his hand is St Lawrence, on the left are the fathers of the church and on the right the naked St Sebastian and St George in armour. This sketch is so loosely painted that it is unclear which other saints Rubens had in mind. The composition is linked to an engraving for a book published in 1614. Rubens probably made the sketch to try out his initial ideas.
The entry is not clear. Is it on canvas (see Details) or on panels?
Museum Boijmans Van Beuningen answered
Dear Anna, thank you for this. It is indeed on panel, not on canvas. We will adjust the information accordingly. Best, Rianne
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|Material and technique||Oil on panel|
Painting > Painting > Two-dimensional object > Art object
|Location||This object is in storage|
Width 38 cm
Height 58 cm
Peter Paul Rubens
|Accession number||1738 (OK)|
|Credits||Schenking / Donation: A.J. Lamme 1863|
|Age artist||Between 31 and 37 years old|
Schilderkunst uit de eerste hand, Olieverfschetsen van Tintoretto tot Goya (1983)
Petrus Paulus Rubens in het Museum Boijmans (1933)
The Collection Enriched (2011)
Rubens. Painter of Sketches (2018)
Canvas > Worked fibres > Fibre > Vegetable material > Organic material > Material > Material and technique
|Geographical origin||Southern Netherlands > The Netherlands > Western Europe > Europe|
All about the artist
Peter Paul Rubens
Siegen 1577 - Antwerpen 1640
The Antwerp painter Peter Paul Rubens was appointed court artist to the Duke of Mantua in Italy at a young age. In 1603 he travelled to Madrid, where he was...Bekijk het volledige profiel