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Forest Landscape with a Farm and a Watermill on a Stream

Forest Landscape with a Farm and a Watermill on a Stream

Peeter Baltens (in circa 1555-1560)

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  • carmen english asked

    The "Forest Landsacape with Farm and Watermill on Stream" is signed Bruegel in the lower left corner. Are you sure it should be attributed to Baltens?

  • Museum Boijmans Van Beuningen answered

    Dear Carmen, This is a false signature, the drawing is described in our online collection catalogue. Follow this hyperlink and scroll down: http://boijmans.intermax.devurl.nl/nl/object/90635/Boslandschap-met-een-boerderij-en-een-watermolen-aan-een-beek/Peeter-Baltens. Best regards, Albert Elen

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Specifications

Title Forest Landscape with a Farm and a Watermill on a Stream
Material and technique Pen and red ink (underdrawing) and darkbrown ink
Object type
Drawing > Two-dimensional object > Art object
Location This object is in storage
Dimensions Height 238 mm
Width 379 mm
Artists Draughtsman: Peeter Baltens
Previously attributed: Hans Bol
Accession number N 97 (PK)
Credits Loan Stichting Museum Boijmans Van Beuningen (former Koenigs collection), 1940
Department Drawings & Prints
Acquisition date 1940
Creation date in circa 1555-1560
Signature none ('BRVEGEL' is false)
Watermark French lily surmounted by a flower, unreadable name below (47x24 mm, on P4-5 from the top)(vV, 10P, fine, folio), somewhat similar to Briquet 7082 (French, Paris 1544). [AE] [for image click thumbnail above the 'zoom in' option]
Condition fair. Five vertical folds (folded three times consecutively in the past, the sixth section at right on the reverse is dirty). Some little tears, smudges and stains.
Inscriptions ‘BRVEGEL’ (below left, false signature, in pen and grey ink), 8’ (verso, below right, in pencil)
Collector Collector / Franz Koenigs
Mark F.W. Koenigs (L.1023a)
Provenance Franz W. Koenigs (1881-1941), Haarlem, 1928; on loan to the museum, 1935-1940; purchased with the Koenigs collection by D.G. van Beuningen (1871-1955), Rotterdam and presented to the Stichting Museum Boymans, 1940; on loan to the museum since 1940
Exhibitions Rotterdam 2004b; Paris/Rotterdam 2014, no. 35
Internal exhibitions Het jaar rond met Bol (2004)
Vroege Nederlandse tekeningen - Van Bosch tot Bloemaert (deel 3) (2015)
External exhibitions Bosch to Bloemaert. Early Netherlandish Drawings from the Museum Boijmans Van Beuningen (2014)
Research Show research Netherlandish Drawings of the Fifteenth and Sixteenth Centuries
Literature Franz 1965, pp. 23, 29, 37, 59, no. 4, pl. 18 (Hans Bol?); Franz 1969, vol. 2, ill. 287 (Hans Bol?); Zwollo 1969, p. 301 (not Hans Bol, attr. Jacques Savery); Washington/New York 1986, pp. 72-73, n. 5 (probably not Bol, but close follower); Hautekeete 2005, pp. 185-186, 195, ill. 2, p. 201, nn. 6-7 (attr. Peeter Baltens)
Material
Object
Geographical origin Northern Netherlands > The Netherlands > Western Europe > Europe
Geographical origin Southern Netherlands > The Netherlands > Western Europe > Europe

Entry catalogue Netherlandish Drawings of the 15th and 16th Centuries.

Author: Albert J. Elen

This drawing is compositionally similar to Bol’s drawing dated 1557 in Rotterdam (inv.no. N 35), which also shows a flat area with a watermill on a brook, dominated by tall trees extending beyond the picture frame. Here, on the other hand, a farm is seen on the left and there is more rural activity. Both share the lay-out with trees along a diagonal line from the left foreground leading to a vanishing point at middle right; the figures are too small compared with the trees and buildings, the boats look similar and they both have birds flying in the sky at top right. Yet they are not by the same hand, as was convincingly argued by Franz and Hautekeete.1 Franz points to the underdrawing in red ink, which can be seen in some parts, especially the trees to the left of the watermill. He considers this to be the original drawing by Bol, which was redrawn in pen and brown ink in an ‘intentionally simplified’ manner, with a more schematic and harsh handling, probably by an engraver or an assistant in his workshop for the purpose of graphic reproduction.2

Franz already expressed doubts about the traditional attribution to Bol (“not certain but not to be ruled out”), followed by Zwollo (ascribed to Jacques Savery, together with inv. no. N 35) and William Robinson (“probably not by Bol, but by a close follower”). Recently, it was attributed to Peeter Baltens by Stefaan Hautekeete (2005), who is preparing the catalogue raisonné of Bol’s drawings.

Footnotes

1 Franz 1965, p. 23; Hautekeete 2005, p. 187.

2 Franz 1965, pp. 23, 37.

Show research Netherlandish Drawings of the Fifteenth and Sixteenth Centuries
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All about the artist

Peeter Baltens

Antwerpen 1527/1528 - Antwerpen 1584

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