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Head of a Youth

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Specifications

Title Head of a Youth
Material and technique Black chalk, pen and brown ink, brown wash
Object type
Drawing > Two-dimensional object > Art object
Location This object is in storage
Dimensions Height 69 mm
Width 64 mm
Artists Artist: Anoniem
Previously attributed: Francesco di Giorgio Martini
Previously attributed: Andrea Mantegna
Accession number I 499 (PK)
Credits Loan Stichting Museum Boijmans Van Beuningen (former Koenigs collection), 1940
Department Drawings & Prints
Acquisition date 1940
Creation date in circa 1450-1500
Watermark none visible through the backing sheet
Inscriptions ‘Sandro Bottic[ell]i’ (verso, backing sheet, pencil)
Collector Collector / Franz Koenigs
Mark A. Grahl (L.1199) (twice, recto and verso)
Provenance August Grahl (1791-1868, L.1199), Dresden; his sale, London (Sotheby) 27-28.04.1885, lot 32, ill. (Sandro Botticelli, £5/0/0); - ; sale Geheimrat A. Köster (and others), Leipzig (Boerner) 13.11.1924, lot 36, ill. (anonymous Italian master, 15th century, DM [...] to Blumenreich); Franz W. Koenigs (1881-1941, L.1023a), Haarlem, acquired in 1924-1930 (School of Andrea Mantegna); D.G. van Beuningen (1877-1955), Rotterdam, acquired with the Koenigs Collection in 1940 and donated to Stichting Museum Boijmans Van Beuningen
Research Show research Italian Drawings 1400-1600
Material
Object
Geographical origin Italy > Southern Europe > Europe

Entry catalogue Italian Drawings 1400-1600

Author: Maud Guichané

Francesco di Giorgio Martini, 'The Nativity', 1475-76, tempera and oil on panel, 162 x 163 cm, Siena, Pinacoteca Nazionale

This drawing continues to raise many questions about its author. It was first mentioned in the sale of the collection of the German portraitist Auguste Grahl (1791-1868) in 1885, where it was attributed to Sandro Botticelli (1445-1510). This corresponds to the inscription on the back of the mount, which probably dates from the same period. However, the manner of this sheet is quite different from the known drawings of the Florentine master, whose faces are also more pointed. Franz Koenigs acquired the work as a drawing from the School of Mantegna (c.1431-1506).[1] In 1962, Philip Pouncey cautiously put forward the name of Francesco di Giorgio Martini (1439-1502).[2] It is true that this study of a young man seems to be close to the typology of the young angels that appear in his paintings, particularly the one on the far right in his painting The Nativity now in Siena (fig.).[3] The round, youthful face, the small, fleshy, fixed mouth, and the curly hair and collar also bear some resemblance to the figures painted by Benvenuto di Giovanni (1436-after 1509/1517).[4] These similarities could suggest that our sheet was produced in Siena in the second half of the fifteenth century. But none of these attributions seems entirely satisfactory.[5] If the drawing shows some kinship with each of these schools, its rather stiff character could also suggest a copy.[6]

Footnotes

[1] Listed in Lütjens. c.1928-35 as ‘Mantegnaschule’.

[2] This is confirmed by the notes in the art historian’s archive, provided to the museum by Francoise Devaux, in November 2019.

[3] Siena, Pinacoteca nazionale, inv. 437; see in particular Siena 1993, pp. 314-16, no. 61, ill.

[4] For instance, the angel holding the lily, on the left in Pala Borghesi, 1478, Siena, San Domenico Church; see Siena 1993, p. 69, ill. (detail).

[5] Lorenza Melli mentions a variety of Florentine, Sienese and Paduan characteristics, which makes it difficult to specify the school (written communication with the present author, 2023).

[6] Boijmans-Getty expert meeting, 2021, comments from Aidan Weston-Lewis and Chris Fischer; this judgment was also expressed by Nicolas Schwed (oral communication, 2023). I thank them and Lorenza Melli for their views on the matter.

Show research Italian Drawings 1400-1600
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