:host { --enviso-primary-color: #FF8A21; --enviso-secondary-color: #FF8A21; font-family: 'boijmans-font', Arial, Helvetica,sans-serif; } .enviso-basket-button-wrapper { position: relative; top: 5px; } .enviso-btn { font-size: 22px; } .enviso-basket-button-items-amount { font-size: 12px; line-height: 1; background: #F18700; color: white; border-radius: 50%; width: 24px; height: 24px; min-width: 0; display: flex; align-items: center; justify-content: center; text-align: center; font-weight: bold; padding: 0; top: -13px; right: -12px; } Previous Next Facebook Instagram Twitter Pinterest Tiktok Linkedin Back to top
Adam and Eve

Ask anything

Loading...

Thank you. Your question has been submitted.

Unfortunately something has gone wrong while sending your question. Please try again.

Request high-res image

More information

Specifications

Title Adam and Eve
Material and technique Pen and brown ink
Object type
Drawing > Two-dimensional object > Art object
Location This object is in storage
Dimensions Height 252 mm
Width 143 mm
Artists Forgery after: Jacopo della Quercia
Accession number I 257 recto (PK)
Credits Loan Stichting Museum Boijmans Van Beuningen (former Koenigs collection), 1940
Department Drawings & Prints
Acquisition date 1940
Creation date in circa 1850-1899
Inscriptions 'Jacopo della Querce' (recto, upper left, pen and brown ink)
Collector Collector / Franz Koenigs
Mark E. Rossi (L.4091), F.W. Koenigs (L.1023a)
Provenance Egisto Rossi (forger, 1824/25-1899, L.4091), Florence; - ; Franz W. Koenigs (1881-1941, L.1023a), Haarlem, acquired in 1928; D.G. van Beuningen (1877-1955), Rotterdam, acquired with the Koenigs Collection in 1940 and donated to Stichting Museum Boijmans Van Beuningen
Research Show research Italian Drawings 1400-1600
Material
Object
Geographical origin Italy > Southern Europe > Europe

Entry catalogue Italian Drawings 1400-1600

Author: Rosie Razzall

This drawing bears a collector’s mark in blue ink at the top right corner (L.4091) that has been identified as a false mark belonging to the Florentine dealer and forger of drawings, Egisto Rossi (1824/1825-1899).[1] It is therefore likely that this sheet is a forged drawing in the manner of the Sienese sculptor Jacopo della Quercia, an artist for whom very few known drawings exist.[2] The subject may have been taken from the stone reliefs depicting Adam and Eve produced by Della Quercia for the church of San Petronio in Bologna between 1425-28. The style of draughtsmanship, with long, sparse lines of the pen, has some similarity with a drawing in Florence,[3] a sheet with which Rossi may have been familiar. The figures have been traced through by the same hand on the verso.

Footnotes

[1] See Lugt online database of collector’s marks: http://www.marquesdecollections.fr/detail.cfm/marque/11605.

[2] The most well-known examples are studies for the Fonte Gaia in the Victoria and Albert Museum, London, inv. Dyce Dyce 181 and the Metropolitan Museum of Art, New York, inv. 49.141.

[3] Gallerie degli Uffizi, inv. 43E.

Show research Italian Drawings 1400-1600
Show catalogue entry Hide catalogue entry

All about the artist

Jacopo della Quercia

Siena 1367/1375 - Siena 1438

Bekijk het volledige profiel