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Home Collection Artworks Study with Winged Putto and the Christ Child

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Study with Winged Putto and the Christ Child

Study with Winged Putto and the Christ Child

Copy after: Correggio (Antonio Allegri) (in circa 1512-1544)

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Specifications

Title Study with Winged Putto and the Christ Child
Material and technique Black chalk
Object type
Drawing > Two-dimensional object > Art object
Location This object is in storage
Dimensions Height 242 mm
Width 237 mm
Artists Copy after: Correggio (Antonio Allegri)
Copy after: Andrea del Sarto (Andrea d’Agnolo)
Previously attributed: Giovanni Antonio Sogliani
Previously attributed: Fra Bartolommeo (Bartolomeo-Domenico di Paolo del Fattorino, Baccio della Porta)
Accession number I 15 (PK)
Credits Loan Stichting Museum Boijmans Van Beuningen (former Koenigs collection), 1940
Department Drawings & Prints
Acquisition date 1940
Creation date in circa 1512-1544
Collector Collector / Franz Koenigs
Mark T. Lawrence (L.2445), F.W. Koenigs (L.1023a)
Provenance By Woodburn reported to be from the collection of ‘chevalier’ J.W.J Wicar (1762-1834, L.2568), Lille/Rome; Sir Thomas Lawrence (1769-1830, L.2445), London; Art dealer Samuel Woodburn (1781-1853, L.2584), acquired with the Lawrence Collection in 1834, cat. London 1836b, seventh exhibition, no. 75 (Fra Bartolommeo); - ; Franz W. Koenigs (1881-1941, L.1023a), Haarlem, acquired in 1920-30 (Giovanni Antonio Sogliani); D.G. van Beuningen (1877-1955), Rotterdam, acquired with the Koenigs Collection in 1940 and donated to Stichting Museum Boijmans Van Beuningen
Exhibitions London 1836, exh. 7, no. 75; Rotterdam 1997-98
Internal exhibitions Rondom Raphaël (1997)
Research Show research Italian Drawings 1400-1600
Literature Berenson 1938, no. 2723D (Sogliani); Shearman 1965, vol. 2, p. 382; Byam Shaw 1983, p. 29 n. 6, under no. 21
Material
Object
Geographical origin Italy > Southern Europe > Europe

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Entry catalogue Italian Drawings 1400-1600

Author: Chris Fischer

This drawing was attributed to Fra Bartolommeo (1472-1517) in Samuel Woodburn’s seventh exhibition of drawings from the Lawrence collection in 1836,[1] and listed by Berenson in 1938 as Giovanni Antonio Sogliani (1492-1544).[2] Neither of these attributions is persuasive. As already remarked by Woodburn, the figure on the left refers to a painting by Correggio (c. 1489-1534), Venus with Mercury and Cupid in London, believed to be executed around 1524 and known from many copies.[3] Shearman recognized the figure on the right[4] as a copy from a drawing by Andrea del Sarto (1486-1530) in Paris.[5] This is preparatory for The Barberini Holy Family in Rome,[6] which he dated soon after 1524. Byam Shaw thought that the drawing might be nearly contemporary with Del Sarto’s study,[7] but this author finds it more likely that it was made in the later part of the century as proposed by Carel van Tuyll van Serooskerken verbally in 2019.[8] It may well be by a Florentine artist as suggested by the style, which recalls drawings by Francesco Morandini (1544-1579), called il Poppi. 

Footnotes

[1] London 1836, no. 75.

[2] Berenson 1938, no. 2723D

[3] National Gallery, inv. NG10.

[4] Shearman 1965, vol. 2, p. 382.

[5] Fondation Custodia, inv. 5253.

[6] Palazzo Barberini, inv. 2332.

[7] Byam Shaw 1983, p. 29 n. 6 under no. 21.

[8] During an expert meeting as part of the Boijmans-Getty Paper Project, 10-11 September 2019.

Show research Italian Drawings 1400-1600
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All about the artist

Correggio (Antonio Allegri)

Correggio circa 1489 - Correggio 1534

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