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A Group of Men Spinning a Winch

A Group of Men Spinning a Winch

Previously attributed: Leonardo da Vinci (in circa 1560-1600)

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Specifications

Title A Group of Men Spinning a Winch
Material and technique Pen and brown ink
Object type
Drawing > Two-dimensional object > Art object
Location This object is in storage
Dimensions Height 94 mm
Width 131 mm
Artists Previously attributed: Leonardo da Vinci
Maker: Anoniem
Accession number I 24 recto (PK)
Credits Loan Stichting Museum Boijmans Van Beuningen (former Koenigs collection), 1940
Department Drawings & Prints
Acquisition date 1940
Creation date in circa 1560-1600
Watermark none (vH, 4P)
Inscriptions 'Leonardo vincit.' (lower right centre., pen and brown ink), '284' (lower right, pen and brown ink), '187' (verso, left centre, pen and brown ink)
Collector Collector / Franz Koenigs
Mark N. Lanier ((? his handwriting; L.2885 or L.2886 desunt; handwriting recto, cf. Wood 2003, p. 111, fig. 7.21), D.-V. Denon (L.779), F.W. Koenigs (L.1023a on removed mount)
Provenance Nicholas Lanier (1588-1666, L.2885, L.2886), London; Baron D. Vivant-Denon (1747-1825, L.779), Parijs; zijn veiling, Parijs (Pérignon) 01-19.05.1826, in lot 241 (Leonardo da Vinci, FF 22); - ; Franz W. Koenigs (1881-1941, L.1023a), Haarlem, acquired in 1926 (School of Leonardo da Vinci); D.G. van Beuningen (1877-1955), Rotterdam, acquired with the Koenigs Collection in 1940 and donated to Stichting Museum Boijmans Van Beuningen
Exhibitions Rotterdam 1995, p. 206
Research Show research Italian Drawings 1400-1600
Literature Rotterdam 1995, p. 206
Material
Object
Geographical origin Italy > Southern Europe > Europe

Entry catalogue Italian Drawings 1400-1600

Author: Michael Kwakkelstein

The recto of this double-sided sheet depicts a construction site where four nude men each push a large handle of a traditional winch to lift a rectangular block of stone sitting at the base of the mast of a crane.[1] The path of the rope from the central shaft of the winch to the pulley on top of the block of stone is difficult to understand unless one assumes the presence of a pulley at the base of the mast. The mast is secured at the top by six ropes, one of which leads to the broken column on the left, while a large block of stone serves as counterweight for the winch.[2] A seated nude man appears to be unwinding or guiding the rope with both hands.

The winch and crane illustrated in this drawing are not related to any of Leonardo da Vinci’s highly accomplished and detailed drawings of machines for lifting weights.[3] The many uncertainties moreover suggest that the draughtsman had no technical experience. This is also confirmed by the drawing of a wagon on the verso in which the mechanics of the external cranks for manoeuvring the vehicle when stationary is poorly understood. The pointed gear teeth and cart undercarriage are unrelated to anything in Leonardo’s work and were not drawn by someone familiar with engineering. The feeble and sketchy drawing style suggests that these drawings are copies of other engineering drawings made by a beginner and probably date from the late sixteenth century.

Footnotes

[1] A similar winch is illustrated in Mariano di Jacopo, called Il Taccola, De ingeneis, Libri III-IV, Ms. Palatino 766 (BNCF), cc. 13v-14r (c.1431-1433). Florence, Biblioteca Nazionale Centrale.

[2] Compare the crane in the present drawing to, for instance, a drawing of a crane by Francesco di Giorgio Martini on fol. 12r of his Opusculum de architectura (London, British Museum) reproduced in: Nanni 2013, p. 33, fig. 4.

[3] Only the dynamics of human force reflected in the nude men operating the winch recall Leonardo’s famous drawing at Windsor (Royal Collection, inv. 912647) of a cannon foundry that includes the depiction of many nude men engaged in lifting a giant cannon barrel on to a gun carriage. See London 1989, no. 113.

Show research Italian Drawings 1400-1600
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All about the artist

Leonardo da Vinci

Vinci 1452 - Amboise 1519

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