The international theoretical discussions initiated by Asger Jorn, a founder member of CoBrA in 1949, made him a pivotal figure in Europe’s post-war art scene. He initially painted fantasy creatures in an expressive style, influenced by Edvard Munch and the French Surrealists. ‘Plein Air with Noseless Horses’ is more abstract. It seems improvised, full of energy, with dynamic shifts between light and dark.
Specifications
| Title | La ville des tours d'ivoire |
|---|---|
| Material and technique | Oil on canvas |
| Object type |
Painting
> Painting
> Two-dimensional object
> Art object
|
| Location | This object is in storage |
| Dimensions |
Height Error: 146,5 is not a valid BCD value cm Width Error: 104,5 is not a valid BCD value cm Thickness Error: 1,8 is not a valid BCD value cm |
|---|---|
| Artists |
Painter:
Asger Jorn
|
| Accession number | 2675 (MK) |
| Credits | Purchased 1964 |
| Department | Modern Art |
| Acquisition date | 1964 |
| Creation date | in 1955 |
| Entitled parties | © Donation Jorn, Silkeborg c/o Pictoright Amsterdam 2018 |
| Internal exhibitions |
De collectie als tijdmachine (2017) |
| Material | |
| Object | |
| Geographical origin | Denmark > Northern Europe > Europe |
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