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Home Collection Artworks Composition studies for a Virgin in Glory with Saints and Angels

  • Also from the collection Drawings & Prints (Pushkin claim)

    Young Standing Lady Leaning on Her Elbows. Facing Left, the Head Repeated on the Right

    Adolph Menzel, circa 1880-1900

  • Also from the collection Drawings & Prints (Pushkin claim)

    Peasant Dwelling on a canal

    Philips Koninck, circa 1650-1675

  • Also from the collection Drawings & Prints (Pushkin claim)

    Head of an Elderly Woman, in Lost Profile

    Adolph Menzel, 1888

  • Also from the collection Drawings & Prints (Pushkin claim)

    Sailing Ships on a Calm Sea

    Willem van de Velde (II), circa 1660-1690

Composition studies for a Virgin in Glory with Saints and Angels

Composition studies for a Virgin in Glory with Saints and Angels

Paolo Veronese (Paolo Caliari) (in circa 1577)

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This drawing is part of a group of 508 drawings from the Koenigs Collection, which was sold in the fall of 1940 by D.G. van Beuningen to Dr. Hans Posse, Hitler's Sonderbeauftragter Linz. This transaction was in violation of Dutch laws and international agreements. See the publication by Albert J. Elen, Missing Old Master Drawings from the Franz Koenigs Collection claimed by the State of The Netherlands, Den Haag 1989

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Specifications

Title Composition studies for a Virgin in Glory with Saints and Angels
Material and technique Pen and brown ink, brown wash
Object type
Drawing > Two-dimensional object > Art object
Artists Draughtsman: Paolo Veronese (Paolo Caliari)
Accession number I 43 recto (PK)
Credits Missing since World War II, see cat. Missing Old Master Drawings from the Franz Koenigs Collection claimed by the State of the Netherlands, The Hague 1989
Department Drawings & Prints (Pushkin claim)
Creation date in circa 1577
Collector Collector / Franz Koenigs
Object

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All about the artist

Paolo Veronese (Paolo Caliari)

Verona 1528 - Venetië 1588

Paolo Veronese was specialised in large biblical, allegorical and historical scenes. Veronese's choice of subject allowed him to fill his paintings with...

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