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Folio from the Gozzoli Album: Title Page

Folio from the Gozzoli Album: Title Page

Benozzo Gozzoli (in circa 1450-1460)

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Specifications

Title Folio from the Gozzoli Album: Title Page
Material and technique Pen and brown ink
Object type
Drawing (recto) > Drawing > Two-dimensional object > Art object
Location This object is in storage
Dimensions Height 229 mm
Width 160 mm
Artists Workshop of: Benozzo Gozzoli
Accession number I 562 1 recto (PK)
Credits Loan Stichting Museum Boijmans Van Beuningen (former Koenigs collection), 1940
Department Drawings & Prints
Acquisition date 1940
Creation date in circa 1450-1460
Watermark unclear, vV, 6P
Inscriptions '(JE)SVS NAZARENVS REX IVDAEORVM' (Jesus from Nazareth king of Jews; also in Hebrew and Greek above) / 'PICTORIBUS ATQUE POETIS SEMPER FUIT ET ERIT EQVA POTESTAS' (for painters and poets there always was and will be equal power), '31' (foliation number, below left, pen and brown ink)
Collector Collector / Franz Koenigs
Provenance Biblioteca Trivulziana, Milan, Codex Triv. 2145; probably acquired by Don Carlo Trivulzio (1715-1789); by inheritance to Luigi Alberico Principe di Musocco Trivulzio (1873-1938); Franz W. Koenigs (1881-1941, L.1023a), Haarlem, acquired in the years 1925-1930; D.G. van Beuningen (1877-1955), Rotterdam, acquired with the Koenigs Collection in 1940 and donated to Stichting Museum Boijmans Van Beuningen
Exhibitions Rotterdam 2009-2010 (coll 2 kw 1-9)
Research Show research Italian Drawings 1400-1600
Literature Degenhart/Schmitt 1968, vol. I-2, no. 441, vol. I-4, pl. 328e; Van den Akker 1991, pp. 73, 75, 78, fig. 120; Ames-Lewis 1995, pp. 400-401, fig. 13
Material
Object
Geographical origin Italy > Southern Europe > Europe

Entry catalogue Italian Drawings 1400-1600

Author: Albert Elen

This is a folio from a hypothetical lost drawing book, a remnant of which is now part of an eighteenth-century album called the Gozzoli Album, held in Museum Boijmans Van Beuningen. For a general description, see here.

This page was originally folio 31 recto in the hypothetical lost drawing book. The finger smudges in the lower right corner confirm that this was originally a recto page.

The trilingual inscription at the top (translated ‘Jesus of Nazareth, King of the Jews’) is the text that, according to the Gospel of John (19:19-20), was attached as an accusation above Christ's head on the cross; the Latin version is often abbreviated to INRI. The main inscription in Latin above the centre of the page may be translated as ‘Pictures and poems have always had and always will have equal power’ or more freely ‘Painters and poets have always had license to dare anything’. The Latin capital letters are typologically similar to the capitalized inscriptions below the scenes of Gozzoli’s fresco cycle of the life of St Francis in the apsidal chapel of the Church of San Francesco in Montefalco (1450-52).[1] The quote is from Horace’s (Quintus Horatius Flaccus, 65-8 BC) famous Ars poetica (1-13: 'pictoribus atque poetis quidlibet audendi semper fuit aequa potestas.') and forms a fitting title for the present volume, for which purpose this folio 31 from the hypothetical lost drawing book must have been chosen as the first page when the album was constructed. It was certainly not written at that time for this specific purpose, if only because the original folio was cropped and the missing letters at the beginning and end were repeated on the enclosing mounting strips of the album.

Footnotes

[1] Montefalco 2002, pp. 276-85, no. 39, ill.

Show research Italian Drawings 1400-1600
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Benozzo Gozzoli

Florence circa 1420 - Pistoia 1497

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