Specifications
| Title | Two Nereids Seated on a Lion and a Bull, a Third Reclining with a Basket of Fruit |
|---|---|
| Material and technique | Pen and brown ink, on parchment |
| Object type |
Drawing (verso)
> Drawing
> Two-dimensional object
> Art object
|
| Location | This object is in storage |
| Dimensions |
Height 212 mm Width 156 mm |
|---|---|
| Artists |
Workshop of:
Pisanello (Antonio di Puccio Pisano)
|
| Accession number | I 523 verso (PK) |
| Credits | Loan Stichting Museum Boijmans Van Beuningen (former Koenigs collection), 1940 |
| Department | Drawings & Prints |
| Acquisition date | 1940 |
| Creation date | in circa 1431-1432 |
| Inscriptions | 'Arnolfo di Lapo' (recto, below left, pen and black ink) |
| Collector | Collector / Franz Koenigs |
| Mark | Marquis de Lagoy (L.1710), Count M. von Fries (L.2903), F.W. Koenigs (L.1023a) |
| Provenance | Count Moriz von Fries (1777-1826, L.2903), Vienna, until c. 1820, to mr. W. Mellish, London; Marquis de Lagoy (1764-1829, L.1710)***, Aix-en-Provence; - ; Franz W. Koenigs (1881-1941, L.1023a), Haarlem, acquired in 1930 (North Italian, c. 1400); D.G. van Beuningen (1877-1955), Rotterdam, acquired with the Koenigs Collection in 1940 and donated to Stichting Museum Boijmans Van Beuningen |
| Exhibitions | Paris 1932, no. 88; Rotterdam 1952, no. 79; Paris/Rotterdam/Haarlem 1962, no. 9; Rome 1988, no. 44; London 2001, no. 105; Rotterdam 2009 (coll 2 kw 2) |
| Internal exhibitions |
Tekeningen uit eigen bezit, 1400-1800 (1952) Italiaanse tekeningen in Nederlands bezit (1962) |
| Research |
Show research Italian Drawings 1400-1600 |
| Literature | Paris 1932, no. 88; Degenhart 1941, pp. 26, 61, fig. 33a (verso); Degenhart 1945, pp. 24, 58, 64, 72, no. 33a, ill. (verso); Degenhart 1949, p. 7, n. 1; Degenhart 1950, p. 208, ill.; Haverkamp Begemann 1952, no. 79; Scharf 1952, p. 210; Degenhart 1954, p. 112 n. 4; Verona 1958, under no. 93; Degenhart/Schmitt 1960, pp. 100, 101, 138 ff.; Bean 1960, no. 223; Parijs/Rotterdam/Haarlem 1962, no. 9, pl. 10; Fossi Todorow 1962, pp. 151-153, fig. 14; Scheller 1963, p. 175; Fossi Todorow 1966, pp. 138-139, no. 204; Magagnato 1966, pp. 290, 294; Degenhart/Schmitt 1968, vol. I-1, no. 133, vol. I-2, p. 641, vol. I-3, pl. 178a-b (Gentile da Fabriano); Hersey 1973, p. 40, fig. 34 (verso); Christiansen 1982, pp. 146-147 (not Gentile);Rome 1988, no. 44; Degenhart/Schmitt 1990, vol. II-5, pp. 116-118, fig. 92, 95, vol. II-6, p. 476, fig. 443 (Gentile da Fabriano); Degenhart/Schmitt/Eberhardt et al. 1995, pp. 92-99, figs. 103 and 105; Scheller 1995, pp. 348-349, under no. 33, fig. 218; Elen 1995, under no. 15; London 2001, pp. 144-145, fig. 4.8 and 4.9, p. 198, fig. 5.6, p. 261 no. 105 (Pisanello); Rotterdam 2001, under no. 5, p. 72, fig. 2 (recto); Degenhart/Schmitt 2004, vol. III-2, pp. 216, 237-239, 241, 380 n. 710, pp. 472, 488, 493, 496-499, no. 767, pl. 82, 83, fig. 388 (Pisanello workshop); Warsaw 2023, pp. 25-26, fig. 1 |
| Material | |
| Object | |
| Technique |
Brown wash
> Washing
> Wash
> Drawing technique
> Technique
> Material and technique
|
| Geographical origin | Italy > Southern Europe > Europe |
