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Study with a Virgin Mary Praying and Nude Men Around a Vat

Study with a Virgin Mary Praying and Nude Men Around a Vat

Attributed to: Marco Zoppo (in circa 1450-1475)

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Specifications

Title Study with a Virgin Mary Praying and Nude Men Around a Vat
Material and technique Pen and brown ink, on red prepared paper
Object type
Drawing > Two-dimensional object > Art object
Location This object is in storage
Dimensions Height 175 mm
Width 106 mm
Artists Attributed to: Marco Zoppo
Accession number I 492 recto (PK)
Credits Loan Stichting Museum Boijmans Van Beuningen (former Koenigs collection), 1940
Department Drawings & Prints
Acquisition date 1940
Creation date in circa 1450-1475
Collector Collector / Franz Koenigs
Provenance Franz W. Koenigs (1881-1941, L.1023a), Haarlem, acquired in 1930 (North Italian, 15th century); D.G. van Beuningen (1877-1955), Rotterdam, acquired with the Koenigs Collection in 1940 and donated to Stichting Museum Boijmans Van Beuningen
Research Show research Italian Drawings 1400-1600
Material
Object
Technique
Prepare > Prepared > Shaping techniques > General technique > Technique > Material and technique
Prepare > Prepared > Shaping techniques > General technique > Technique > Material and technique
Geographical origin Italy > Southern Europe > Europe

Entry catalogue Italian Drawings 1400-1600

Author: Esmé van der Krieke

This study, which has never been published before, shows a praying Virgin at upper right and at lower left a group of four nude men around a vat. One of these figures holds an axe, and the figure on the far right stirs the vat with two sticks. The group appears to be producing something in a workshop, but it is not clear what that might be. The drawing is characterized by delicate lines; dense hatching used for the Virgin emphasizes the three-dimensionality of her flowing robes. The group of men is drawn in much less detail. On the verso of the drawing there is a head and a part of a cloak done in the same pen-and-ink technique.

Philip Pouncey recognized in the drawing the hand of the Bologna artist Marco Zoppo.[1] The style of a group of drawings by Zoppo showing the Virgin and Child does indeed correspond with our Virgin. A study in London, for instance, has comparable drapery with the same parallel short hatching, and the shape of the head with the long nose and tightly closed mouth is similar.[2] The shapes of the muscular bodies of the figures lower left in our drawing are reminiscent of Zoppo.[3] Furthermore, the subtle, fine lines with which these figures are drawn correspond with studies that are attributed to Zoppo’s teacher Francesco Squarcione (1397-1468) or his workshop, such as sheets in New York, Rotterdam and Washington,[4] which in any case make an attribution of our sheet to the circle of Zoppo plausible.

Footnotes

[1] Verbal communication during a museum visit on 18 May 1962: ‘Sheet of studies of seated woman. Pen. Draperies esp. like Z.’

[2] British Museum, inv. 1904,1201.1. Examples of other, comparable drawings of the Virgin are in Hamburg, Hamburger Kunsthalle, inv. 21505 and 21506; Munich, Staatliche Graphische Sammlung, inv. 2802 Z; Turin, Biblioteca Reale, inv. D.C. 16006 recto and verso.

[3] See for example London, British Museum, inv. 1920,0214.8 and 1920,0214.1.21.

[4] Morgan Library & Museum, inv. 1958.21; Museum Boijmans Van Beuningen, inv. I 181; National Gallery of Art, inv. 2011.42.4.

Show research Italian Drawings 1400-1600
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All about the artist

Marco Zoppo

Cento 1433 - Venetië 1478

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