In this beautiful drawing the composition is in perfect balance. While in the
previous study the rider and horse move through the space diagonally, here
they are depicted almost in profile like a statue. In the end the artist seems
to have chosen to have the princess run away in panic and with arms aloft
towards the right and situates her amidst the trees and rocks in the
background landscape. [text: Albert Elen]
Composition Drawing for 'St. George Slaying the Dragon'
Fra Bartolommeo (Bartolomeo-Domenico di Paolo del Fattorino, Baccio della Porta) (in circa 1509)
Specifications
| Title | Composition Drawing for 'St. George Slaying the Dragon' |
|---|---|
| Material and technique | Black chalk, heightened with white, on light-grey prepared paper |
| Object type |
Drawing
> Two-dimensional object
> Art object
|
| Location | This object is in storage |
| Dimensions |
Height 318 cm Width 272 cm |
|---|---|
| Artists |
Draughtsman:
Fra Bartolommeo (Bartolomeo-Domenico di Paolo del Fattorino, Baccio della Porta)
|
| Accession number | I 563 M 88 (PK) |
| Credits | Loan Stichting Museum Boijmans Van Beuningen (former Koenigs collection), 1940 |
| Department | Drawings & Prints |
| Acquisition date | 1940 |
| Creation date | in circa 1509 |
| Collector | Collector / Franz Koenigs |
| Provenance | Fra Bartolommeo’s estate (1517); his heir Fra Paolino da Pistoia (1488-1547), Florence; Suor Plautilla Nelli (1523-1588), Florence; Convent of St. Catherine of Siena, Florence; Cavaliere Francesco Maria Niccolò Gabburri (1676-1742), Florence, acquired from the convent in 1725 and mounted in one of two albums (1729); Gabburri Heirs; Art dealer William Kent, London, bought from the Gabburri Heirs in 1758-60; Benjamin West (1783-1820, L.419), London; his son Raphael West; Sir Thomas Lawrence (1769-1830, L.2445), London; Art dealer Samuel Woodburn (1781-1853, L.2584), London, acquired with the Lawrence Collection in 1834, cat. London 1836, seventh exhibition; The Prince of Orange, afterwards King William II of the Netherlands (1792-1849), The Hague, acquired in 1840; his sale, The Hague (De Vries, Roos, Brondgeest) 12.08.1850, lot 281 (unsold); his daughter Princess Sophie van Oranje-Nassau (1824-1897), Grand Duchess von Sachsen-Weimar-Eisenach, Weimar; her husband Grand Duke Karl Alexander von Sachsen-Weimar-Eisenach (1818-1901) Weimar; their grandson Grand Duke Wilhelm Ernst von Sachsen-Weimar-Eisenach (1876-1923), Weimar; Franz W. Koenigs (1881-1941, L.1023a), Haarlem, acquired in 1923; D.G. van Beuningen (1877-1955), Rotterdam, acquired with the Koenigs Collection in 1940 and donated to Stichting Museum Boijmans Van Beuningen |
| Internal exhibitions |
Tekeningen uit eigen bezit, 1400-1800 (1952) Italiaanse tekeningen in Nederlands bezit (1962) Van Pisanello tot Cézanne (1992) De Collectie Twee - wissel III, Prenten & Tekeningen (2009) Fra Bartolommeo (2016) |
| Material | |
| Object | |
| Technique |
Highlight
> Painting technique
> Technique
> Material and technique
|
| Geographical origin | Italy > Southern Europe > Europe |
All about the artist
Fra Bartolommeo (Bartolomeo-Domenico di Paolo del Fattorino, Baccio della Porta)
Florence 1472/1474 - Florence 1517
Fra Bartolommeo is one of the most illustrious artists of the Italian High Renaissance. Born Bartolommeo di Paolo, he was also called Baccio della Porta. On...
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