Specifications
| Title | Bust of Julius Caesar |
|---|---|
| Material and technique | Black chalk, heightened with white, on discoloured blue paper |
| Object type |
Drawing
> Two-dimensional object
> Art object
|
| Location | This object is in storage |
| Dimensions |
Height 340 mm Width 229 mm |
|---|---|
| Artists |
Workshop of:
Jacopo Tintoretto (Jacopo Comin, Jacopo Robusti)
|
| Accession number | I 205 verso (PK) |
| Credits | Loan Stichting Museum Boijmans Van Beuningen (former Koenigs collection), 1940 |
| Department | Drawings & Prints |
| Acquisition date | 1940 |
| Creation date | in circa 1570-1580 |
| Watermark | unidentifiable (below left, on P2 of 7P, vH) |
| Inscriptions | ‘G. Tintoretto’ (below left, pen and brown ink) |
| Collector | Collector / Franz Koenigs |
| Mark | Galleria A. Simonetti (L. 2288bis deest), F.W. Koenigs (L.1023a deest) |
| Provenance | (?) Attilio Simonetti (1843-1925), Galleria Simonetti, Rome (L.2288bis deest); Franz W. Koenigs (1881-1941, L.1023a), Haarlem, acquired in 1928 (?) from the Simonetti heir via art dealer Nicolaas Beets; D.G. van Beuningen (1877-1955), Rotterdam, acquired with the Koenigs Collection in 1940 and donated to Stichting Museum Boijmans Van Beuningen |
| Exhibitions | Amsterdam 1934, no. 676; Rotterdam 1938, no. 362; Paris 1952, no. 95; Rotterdam 1952, no. 95; Amsterdam 1953, no. T 62; Rotterdam 1957, no. 45; Paris/Rotterdam/Haarlem 1962, no. 115; Venice/Florence 1985, no. 35; Rotterdam/New York 1990, no. 67; Moscow 1995, no. 27; Florence 2000, no. 7; Rotterdam 2009 (coll 2 kw 1); Venice/Washington 2018 |
| Research |
Show research Italian Drawings 1400-1600 |
| Literature | Von Hadeln 1933, no. 11, pl. 8; Amsterdam 1934, no. 676; Rotterdam 1938, no. 362, pl. 238; Borenius 1934, p. 194; Rotterdam 1938, no. 362, fig. 238; Tietze/Tietze-Conrat 1944, no. 1663; Pallucchini 1950, p. 146; Paris 1952, no. 95; Cain/Vallery-Radot 1952, ill.; Haverkamp Begemann 1952, no. 95; Amsterdam 1953, no. T 62, pl. 66; Forlani 1956, p. 42, no. 71; Haverkamp Begemann 1957, no. 45, ill.; Forlani 1957, p. 86; Sidorov 1959, no. 46; Jaffé 1962, pp. 230, 234, fig. 1; Paris/Rotterdam/Haarlem 1962, no. 115, pl. 85; Meijer 1963, pp. 63-3f, 63-3b, fig. 1; Andrews 1968, p. 120, under no. D 1854; Pignatti 1970, p. 10; Rossi 1975, pp. 54, 62, fig. 5, fig. I (Roman digit, verso, JT?); Byam Shaw 1976, p. 206; Byam Shaw 1985, p. 832, fig. 121; Aikema/Meijer 1985, no. 35, ill.; Luijten/Meij 1990, no. 67, ill.; Moscow 1995, no. 27, ill.; Florence 2000, no. 7, ill.; Rearick 2001, p. 161; Dekker 2018, pp. 30-31, fig. 22; Venice/Washington 2018, pp. 175, 176, 264, fig. 153; Marciari 2018, p. 112 n. 13 |
| Material | |
| Object | |
| Technique |
Highlight
> Painting technique
> Technique
> Material and technique
|
| Geographical origin | Italy > Southern Europe > Europe |
| Place of manufacture | Venice > Veneto region > Italy > Southern Europe > Europe |
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