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Specifications

Title List of accounts
Material and technique Brown wash, pen and brown ink
Object type
Drawing > Two-dimensional object > Art object
Location This object is in storage
Dimensions Height 149 mm
Width 132 mm
Artists Draughtsman: Paolo Veronese (Paolo Caliari)
Accession number I 39 verso (PK)
Credits Loan Stichting Museum Boijmans Van Beuningen (former Koenigs collection), 1940
Department Drawings & Prints
Acquisition date 1940
Creation date in circa 1562-1564
Watermark fragment circle (25 x 25 mm, above left, on P1 of 4P, vH)
Inscriptions # '5' (above right, pen and brown ink); a list of accounts with the years 1560, 1561, 1562 and 1564 (verso, across whole sheet, pen and brown ink)
Collector Collector / Franz Koenigs
Mark P. Lely (L.2092), R. Houlditch Jr. (L.2144), F.W. Koenigs (L.1023a)
Provenance Sir Peter Lely (1618-1680, L.2092)*, London; Richard Houlditch Jr. (-1760, L.2214)*, London; - ; Franz W. Koenigs (1881-1941, L.1023a), Haarlem, acquired in 1925 (Veronese); D.G. van Beuningen (1877-1955), Rotterdam, acquired with the Koenigs Collection in 1940 and donated to Stichting Museum Boijmans Van Beuningen
Research Show research Italian Drawings 1400-1600
Literature Tietze/Tietze-Conrat 1944, no. 2072, pl 158.2, pp. 343-344; Cocke 1973, pp. 138-139, 147 no. 12, pl 2; Cocke 1984, pp. 134-135, no. 53; Rotterdam 1996, p. 63, under no. 23, fig. 1
Material
Object
Technique
Brown wash > Washing > Wash > Drawing technique > Technique > Material and technique
Geographical origin Italy > Southern Europe > Europe
Place of manufacture Venice > Veneto region > Italy > Southern Europe > Europe

Entry catalogue Italian Drawings 1400-1600

This drawing is the verso of I 39. For the catalogue entry on this sheet, see the recto record for the drawing.

Footnotes

Show research Italian Drawings 1400-1600
Show catalogue entry Hide catalogue entry

All about the artist

Paolo Veronese (Paolo Caliari)

Verona 1528 - Venetië 1588

Paolo Veronese was specialised in large biblical, allegorical and historical scenes. Veronese's choice of subject allowed him to fill his paintings with...

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