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Two Studies of a Leg

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Specifications

Title Two Studies of a Leg
Material and technique Red chalk
Object type
Drawing > Two-dimensional object > Art object
Location This object is in storage
Dimensions Height 226 mm
Width 128 mm
Artists Draughtsman: Giulio Romano (Giulio Pippi)
Accession number DN 121/18 recto (PK)
Credits Gift Dr A.J. Domela Nieuwenhuis, 1923
Department Drawings & Prints
Acquisition date 1923
Creation date in circa 1525-1545
Watermark none (vV, 7P)
Inscriptions 'Go. Romano' (r.b., pen and brown ink), ‘3 / connto dal S.[ant]o ambrosio al ramo con / [t]ra li ombrature de li paramenti’ (verso, b., pen and brown ink), '2.2.5 - 12.3' (verso, a.r., pencil)
Collector Collector / Adriaan Domela Nieuwenhuis
Mark A.J. Domela Nieuwenhuis (L.356b)
Provenance Old Italian collection; Dr. Adriaan J. Domela Nieuwenhuis (1850-1935, L.356b), Munich/Rotterdam, donated with his collection in 1923 (Giulio Romano)
Research Show research Italian Drawings 1400-1600
Material
Object
Geographical origin Italy > Southern Europe > Europe

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Entry catalogue Italian Drawings 1400-1600

Author: Surya Stemerding

The collector Adriaan Domela Nieuwenhuis purchased this sheet, drawn on both sides, from ‘an old Italian collection’, and attributed the studies of a leg to ‘Giulio Romano’ following the annotation on the verso.[1] However, cross-hatching like that in this drawing virtually never appears in comparable figure studies by Romano. In his chalk drawings he worked overwhelmingly with parallel hatching lines to create volume in his figures. Aside from this, the academic execution and the unnatural proportions, particularly the oddly small feet, do not suggest a draughtsman with artistic talent. The partial sketch of a lamentation of Christ on the verso is equally clumsy. The legs study does, though, relate to the type of nude studies we know of by Raphael (1483-1520) and Romano, such as Romano’s black chalk study of a standing man with a sword in Paris.[2] The Rotterdam study may be by a pupil in Romano’s workshop or a less skilful artist from his milieu who tried to master his teacher’s style.

Footnotes

[1] Inventaris 1923, p. 17.

[2] Musée du Louvre, inv. RF 1071.

Show research Italian Drawings 1400-1600
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All about the artist

Giulio Romano (Giulio Pippi)

Rome 1492/1499 - Mantua 1546

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