From the early 1960s Richter worked in a Photo-Realist style in which he copied black and white photographs onto canvas. Gradually he became fascinated with the grey-white structure of the paint and began to blur the contours of his subjects, as in this painting of a chair, or to copy out-of-focus photographs.
Specifications
| Title | The Chair |
|---|---|
| Material and technique | Oil on canvas |
| Object type |
Painting
> Painting
> Two-dimensional object
> Art object
|
| Location | This object is in storage |
| Dimensions |
Width 70 cm Height 90 cm Thickness 2 cm |
|---|---|
| Artists |
Artist:
Gerhard Richter
|
| Accession number | 2824 (MK) |
| Credits | Purchased 1974 |
| Department | Modern Art |
| Acquisition date | 1974 |
| Creation date | in 1965 |
| Entitled parties | © Gerhard Richter 2016 |
| Internal exhibitions |
De collectie als tijdmachine (2017) |
| External exhibitions |
Gerhard Richter: Panorama (venue 1) (2011) Gerhard Richter: Panorama (venue 3) (2012) Gerhard Richter: Panorama (venue 2) (2012) Boijmans bij de Buren - Kunst stelt alles voor (2020) Stoel neemt stelling (2023) Op scherp (2024) |
| Material | |
| Object | |
| Geographical origin | Germany > Western Europe > Europe |
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