Specifications
| Title | Study of a Standing Male Nude after a Bozzetto by Michelangelo, with a Composition Study |
|---|---|
| Material and technique | Black chalk, heightened with white, on discolored blue paper |
| Object type |
Drawing
> Two-dimensional object
> Art object
|
| Location | This object is in storage |
| Dimensions |
Height 426 mm Width 261 mm |
|---|---|
| Artists |
Draughtsman:
Jacopo Tintoretto (Jacopo Comin, Jacopo Robusti)
|
| Accession number | I 225 verso (PK) |
| Credits | Loan Stichting Museum Boijmans Van Beuningen (former Koenigs collection), 1940 |
| Department | Drawings & Prints |
| Acquisition date | 1940 |
| Creation date | in circa 1545-1555 |
| Watermark | cannot be determined due to insufficient transparency (vH, 8P) |
| Inscriptions | 'G. Bologna' (below right, pencil, crossed out), '1153' (verso, below left, pencil), 'Tintoretto' (verso, below right, purple pencil), '90' (verso, below right, encircled, blue pencil), '89' (verso, below right, red pencil) |
| Collector | Collector / Franz Koenigs |
| Mark | G. Vallardi (L.1223, L.1223a), G. Pacini (L.2011), G. Locarno (L.1691 on the removed backing paper), Galleria Simonetti (L.2288bis on the removed backing paper), F.W. Koenigs (L.1023a on the removed backing paper) |
| Provenance | Giuseppe Vallardi (1784-1863, L.1223/1223a), art dealer, Milan**; - ; Giovanni Locarno (active 1826-1840, L.1691), Milan; B. Grahame, 1878; Giuseppe Pacini (c. 1860-1880, L.2011), Florence, sold from home 25.04.1892; Attilio Simonetti (1843-1925), Galleria Simonetti, Rome (L.2288bis); Franz W. Koenigs (1881-1941, L.1023a), Haarlem, acquired in 1928 from the Simonetti heir via art dealer Nicolaas Beets (Jacopo Tintoretto); D.G. van Beuningen (1877-1955), Rotterdam, acquired with the Koenigs Collection in 1940 and donated to Stichting Museum Boijmans Van Beuningen |
| Exhibitions | Amsterdam 1929, no. 300; Amsterdam 1934, no. 678; Paris 1935, no. 714; Rotterdam 1938, no. 366; Rotterdam 1952, no. 99; Amsterdam 1953, no. T 63; Paris/Amsterdam/Haarlem 1962, no. 114; Rotterdam 2009 (coll 2 kw 2); Venice/Washington 2018 |
| Research |
Show research Italian Drawings 1400-1600 |
| Literature | Von Hadeln 1929, pp. 421-422, ill.; Amsterdam 1929, no. 300; Amsterdam 1934, no. 678; Paris 1935, no. 714; Rotterdam 1938, no. 366; Tietze/Tietze-Conrat 1944, no. 1825, pl. 125.3 (workshop); Pallucchini 1950, p. 147; Haverkamp Begemann 1952, no. 99; Amsterdam 1953, no. T 63; Parker 1956, p. 382, under no. 712; Paris/Amsterdam/Haarlem 1962, no. 114, pl. 84; Jaffe 1962, p. 234; Rossi 1975, pp. 48, 55, fig. 8 (recto, autograph); Byam Shaw 1976, under no. 767; Rossi 1986, p. 66; Rearick 1991, p. 30; Paris 2002, p. 92 under no. 34; Rossi 2011, p. 81 (recto, workshop); Krischel 2017, p. 142; Venice 2018, pp. 10-11, fig. 9 (verso), pp. 69-69, fig. 50 (recto), p. 264; Fischer 2018, pp. 65-66; Venice/Washington 2018, pp. 10-11, 68-69, 264, fig. 9 (recto, autograph), fig. 50 (verso, autograph); Marciari 2018, pp. 97-98, 112 n. 13, fig. 67 (verso, autograph) |
| Material | |
| Object | |
| Technique |
Highlight
> Painting technique
> Technique
> Material and technique
|
| Geographical origin | Italy > Southern Europe > Europe |
| Place of manufacture | Venice > Veneto region > Italy > Southern Europe > Europe |
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