In 1922, the German Dadaist Max Ernst moved to Paris, where he came into contact with the Surrealists. He gradually applied the collage method, which he initially used with paper, to his painted compositions. The man and woman are difficult to distinguish in this wonderfully poetic couple.
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|Material and technique||Oil on canvas|
Painting > Painting > Two-dimensional object > Art object
|Location||This object is in storage|
Height 106.5 cm
Width 142 cm
|Accession number||2708 (MK)|
|Credits||Aankoop / Purchase: 1966|
Een paraplu, een naaimachine en een ontleedtafel. Surrealisme à la Dalí in Rotterdam. (2013)
Collectie - surrealisme (2017)
The Collection Enriched (2011)
De collectie als tijdmachine (2017)
Power Mask. The Power of Masks (2017)
Dal nulla al sogno (2018)
Canvas > Worked fibres > Fibre > Vegetable material > Organic material > Material > Material and technique
|Geographical origin||Germany > Western Europe > Europe|
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All about the artist
Brühl 1891 - Parijs 1976
After the First World War, Max Ernst was one of the founders of the Dada movement in Cologne. In 1924, Ernst was also closely involved in the foundation of...Bekijk het volledige profiel