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Surtout pas des principes! Charley Toorop

from September 27 2008 until February 1 2009

Self-portrait (1928), Oil on canvas, 33 x 27 cm, Museum Boijmans Van Beuningen, Rotterdam (acquisition 2008) Self-portrait with fur collar (1940), Oil on canvas, 40 x 30 cm, Collection Scheringa Museum voor Realisme, Spanbroek Self-portrait with garden (1946), Oil on canvas, 49 x 39 cm, Caldic Collection, Rotterdam Three Generations (1950), Oil on canvas, 200 x 120 cm, Museum Boijmans Van Beuningen,  Rotterdam Farmers (1930), Oil on canvas, 101 x 125 cm, Centraal Museum Utrecht, Utrecht Female Figures (1931-1932), Oil on canvas, 135 x 100 cm, Van Abbemuseum, Eindhoven Apple tree (1938), Oil on canvas, 120 x 150 cm, Collection Ellen and Jan Nieuwenhuizen Self-portrait with three children (1929), Oil on canvas, 100 x 80 cm, Collection Groninger Museum Photo 1, Eva Besnyö/Maria Austria Instituut, Charley Toorop, 1951 Photo 2, Eva Besnyö/Maria Austria Instituut, Bergen 1941, Charley Toorop painting 'Three Generations' Photo 3, Sem Presser/Maria Austria Instituut, Bergen 1949, Charley Toorop painting in orchard

Charley Toorop (1891-1955) is regarded as the most prominent female Dutch artist of the 20th century. She created an oeuvre that is strong-willed, self-aware and socially committed. Museum Boijmans Van Beuningen is presenting a large-scale retrospective of her work, displaying 120 paintings, among which sixteen self-portraits.

The exhibition has been put together by Marja Bosma, who has also written a book about the life and work of Charley Toorop. Both the exhibition and the book make it easy to see how key works fit into the larger body of her work that is characterised by a confrontational realism. As daughter of the famous symbolist Jan Toorop, Charley grew up with a deep interest in culture. At first she concentrated on music, but eventually chose painting.
After an unsuccessful marriage to Henk Fernhout, with whom she had three children, Charley Toorop settled in Bergen. Painting and her artistic calling always occupied a primary position in her life. Her house ‘De Vlerken’ was a meeting place for a select circle of artistic friends, which included Piet Mondriaan, Adriaan Roland Holst and Gerrit Rietveldt. For Charley Toorop, painting was the ultimate form of self-realisation. A perfect example of this is the self-portrait from 1928 that was recently acquired by Museum Boijmans van Beuningen and that will be displayed at the exhibition. The retrospective ‘Surtout pas des principes! Charley Toorop’ will be accompanied by a richly illustrated catalogue.

The exhibition ‘Surtout pas des principes! Charley Toorop’ has been made possible thanks to the support of the Prins Bernhard Cultuurfonds and the K.F. Hein Fonds.
During the exhibitions on Charley Toorop (until February 1st) and Erasmus (until February 8th), there is a surcharge of € 3 on top of the museum admission fee (not for ICOM members). On Wednesdays, there is no surcharge and the museum is accessible free of charge to everyone.