Four film days at Museum Boijmans Van Beuningen
Sunday afternoons: 10,17, 24 February and 16 March 2008
Following the success of last year’s film programme, Museum Boijmans Van Beuningen is again hosting four days of art films. The films will be screened using their original media thus providing access to treasures from the museum’s moving image collection. The City Editorial Board has invited four artists to select the films: Lydia Schouten, Ronald Cornelissen, Q.S. Serafijn and Fucking Good Art (Rob Hamelijnck and Nienke Terpsma). They will each provide a short introduction before the screening of their selected films. Entry is free and reservations are not required.
Moving image collection
At the end of the 1970s Museum Boijmans Van Beuningen developed a growing interest in film and video. Since that period the museum has acquired film and video works by artists including Joseph Beuys, Walter de Maria, Bruce Nauman, Claes Oldenburg and Andy Warhol. The acquisitions often took place in the context of an exhibition. In this way the museum has acquired works by Miguel-Angel Cardenas, Rineke Dijkstra, William Kentridge and in recent years by Yael Bartana, David Claerbout and Aernout Mik. The films are nearly always shown on a monitor. Now the City Editorial Board has chosen to show the films and videos on a large screen in the museum’s ‘cinema’.
Sunday 10 February 2008 from 15.00
Lydia Schouten presents: René Clair, ‘Entr'acte’, 1924; Wim T. Schippers, ‘Macrobiotiek’ (from the Hoepla series), 1967; Joseph Beuys, ‘I like America and America likes me’, 1974; and others.
Sunday 17 February 2008 from 15.00
Ronald Cornelissen presents: Walter de Maria, ‘Hardcore’, 1969 and Ed Ruscha, ‘Premium’, 1971 (courtesy Gagosian Gallery, Los Angeles).
Sunday 24 February 2008 from 15.00
Q.S. Serafijn presents three films by Marcel Broodthaers: ‘Figures Of Wax’, 1974, ‘La Bataille de Waterloo’, 1975 and ‘Un Voyage à Waterloo’, 1969.
Sunday 16 March 2008 from 15.00
Rob Hamelijnck and Nienke Terpsma (Fucking Good Art) select footage from the three-hour long discussion between Joseph Beuys and Peter Struycken filmed at Museum Boijmans Van Beuningen on 19 April 1980.
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